This piece, from a new album of orchestral works by Richter, depicts the opening of Virginia Woolf's Mrs. Dalloway by pairing pulsating rhythms with the composer's signature wistful melodies.
"Letting Go" is a slow burn, glowing auburn against pedal steel, synths and Pedigo's loping guitar as if the song's got nowhere to go, yet is compelled by unseen forces to move on.
Blake Mills provides a hypnotic and experimental samba rhythm, while Amelia Meath's layers of vocals give the minimalist piece a somber, nocturnal vibe.
The song highlights Tesfaye's sonic progression from origins of brooding minimalistic R&B, into the coke-fueled, Giorgio Moroder, dance-floor bombast he's dipped his foot in on previous records.