Studio Sessions

As the son of Ugandan parents, he struggled with feeling like an outsider. But he's back with his third album, simply titled Kiwanuka.

Joan Shelley tries to write about love like it's "something that's got its own motion and inevitabilities outside our own plans and desires and fantasies."

The multi-instrumentalist, songwriter and producer talks about returning to the stage with ELO, his new album From Out of Nowhere and shares his advice for young producers.

"I needed to take a minute away from the way that MY WOMAN and previous records had been done because this one just didn't require the same feeling," Olsen says.

The Pretenders' frontwoman reunites with Marius de Vries 20 years after Eye of the Beholder for her latest album, a series of jazzy reinterpretations of rock songs.

Azniv Korkejian knows she writes songs infused with melancholy. On her sophomore album, she owns the title of "killjoy" across 12 pensive tracks.

There are a lot of great guitar and drum duos - The Black Keys, The White Stripes - but none of them can say their drummer plays standing up, or that their guitarist plays the bass line with his feet.

The Britpop icon talks about his second solo album, Oasis' break-up that's chronicled in a new documentary and how his cat left poo in his tub while on tour.

The Band's songwriter and Scorsese have been friends and collaborators since they first worked together on The Last Waltz in 1976. This year, Robertson scored The Irishman.

Waldon's new album, White Noise / White Lines, was released on John Prine's Oh Boy Records. She is the first signee to the label in 15 years.