Anne Hathaway plays a woman mysteriously linked to a monster in South Korea in her latest film. Critic David Edelstein says Colossal shows that "even the dumbest genres can be used to profound ends."
A Romanian father descends into a world of bureaucratic corruption as he strives to give his daughter a better life. Critic Andrew Lapin admires the film's chilling, intimate storytelling.
Critic Ella Taylor says this quirky love story "shimmers with the magic of a fairy tale" yet "has its feet firmly planted on the ground of Japan's past and present."
A binge-drinking American woman unwittingly controls a monster that's destroying Seoul in this tone-deaf comedy; the film's lumbering attempts to subvert our rom-com expectations fall flat.
This remake of a wry 1979 comedy about three retirees risking it all for a big score ditches the original's sense of urgency to focus instead on subplots and sentiment.
Two documentaries out now flex a bit of moviemaking technique: All This Panic, about young women exploring what life has to offer, and God Knows Where I Am, about a woman who's sure she's seen it all.
A filmmaker returns to the former East Germany to uncover family secrets and explore how life behind the Berlin Wall traded on civilian informants and an insidious collective obedience.
It'll help to brush up on your Impressionists before seeing writer-director Danièle Thompson's decades-spanning portrait of Emile Zola and Paul Cézanne, but the film deftly avoids biopic clichés.
This historical drama, based on the story of a Warsaw couple who helped hundreds of Jews flee Nazi-occupied Poland, is more interested in their heroism than their humanity.