This historical drama, based on the story of a Warsaw couple who helped hundreds of Jews flee Nazi-occupied Poland, is more interested in their heroism than their humanity.
This impressive debut from director Osgood Perkins, about schoolgirls left at a Catholic school over winter break, "feels like a throat-clearing exercise for a horror prodigy," says our critic.
Daniel Clowes' angst-ridden graphic novel is the basis for a new film starring Woody Harrelson and Laura Dern. Critic David Edelstein says Wilson's abrasive protagonist is worth getting to know.
This week, we visit the new Disney live-action adaptation of Beauty And The Beast, and we all report back from Austin about the happenings at South By Southwest.
Director Craig Johnson's film, based on the Daniel Clowes graphic novel, wants us to invest in a misanthrope's grumbling attempts to reconnect to humanity. Yet its uneven tone keeps us at a distance.
In space, no one can hear you yawn: Technically impressive but dramatically airless, this monster flick set on the International Space Station is powered by "space-movie cliches old and new."
The film about a young woman who ran her truck onto a Prague sidewalk in 1973, killing eight pedestrians, is tough to sit through, and recent events lend it a chilling sense of relevance.
More than 20 years after the release of the original filmabout a band of thieving Scottish junkies, Boyle returns to the same characters. Critic David Edelstein calls the new film "tremendous fun."