News of a 1999 rape case against Nate Parker raises some age-old questions about culture. Can art be separated from its creator? What moral obligations, if any, do the consumers of culture bear?
Todd Phillips' new comedy, which is loosely based on a true story, follows two 20-somethings from Miami who become international arms dealers. Critic John Powers calls War Dogs "jauntily enjoyable."
In 1959, Charlton Heston starred in Oscar-winning movie Ben-Hur. The question is: Why take another turn at making a film that defined epic when it was released, and was itself a remake?
Critic Chris Klimek gets so excited about the various film versions of an epic set in the Roman Empire that he opens a Socratic dialogue with his editor. (Yes, Socrates was Greek, not Roman. We know.)
The latest animated film from Laika Studios owes more to the emotional impressionism of Japanese anime master Hayao Miyazaki than the comparatively rigid and familiar story structure of Disney/Pixar.
The charismatic Markees Christmas plays Morris, a 13-year-old aspiring rapper from New York who moves to Germany with his widowed father (Craig Robinson).
Two masked robbers clean out small branches of a Texas bank in David Mackenzie's new neo-Western. Critic David Edelstein calls Hell or High Water a work of "broad scale and deep feeling."