This adaptation of attorney Bryan Stevenson's book about a wrongly condemned black man dramatizes that case while offering an unflinching look at the death penalty.
At the height of World War I, two British soldiers are given a seemingly impossible mission. LA Times film critic Kenneth Turan talks with NPR's David Greene about the movie 1917.
Sam Mendes' technique — stringing together a series of long takes to seem continuous, as if the story's events unfold in real time — makes for a "wholly absorbing cinematic experience."
Few things haunt a critic more than loving something and not being able to share it. This year, Fresh Air critic John Powers circles back to Unbelievable,Atlantics, Where the Light Falls and more.
In a year where wealth, inequality and class rage were hot movie topics, few had more to say than Parasite and Knives Out — two filmsthat seemed to be in conversation with each other.
Gerwig gives us the warm, homespun pleasures of Louisa May Alcott's beloved novel, but she also holds the well-worn text up to the light to consider some of its flaws and compromises.
In this unabashedly melodramatic, "intermittently gratifying" tale, two sisters in 1950s Rio de Janeiro follow their separate dreams, not knowing they live close to one another.