Loosely based on the story of real-life psychiatrist who treated three patients who believed themselves to be Jesus, Jon Avnet's film clings to glib Hollywood cliches about mental illness.
France's Oscar contender for best international feature this year is titled Les Misérables. But it has nothing to do with Victor Hugo or the musical — this one is inspired by the 2005 Paris riots.
The World War I film 1917 won best picture at the Golden Globes Sunday night. The film tells the story of an urgent rush to the front lines, designed to look like one continuous shot.
This adaptation of attorney Bryan Stevenson's book about a wrongly condemned black man dramatizes that case while offering an unflinching look at the death penalty.
At the height of World War I, two British soldiers are given a seemingly impossible mission. LA Times film critic Kenneth Turan talks with NPR's David Greene about the movie 1917.
Sam Mendes' technique — stringing together a series of long takes to seem continuous, as if the story's events unfold in real time — makes for a "wholly absorbing cinematic experience."
Few things haunt a critic more than loving something and not being able to share it. This year, Fresh Air critic John Powers circles back to Unbelievable,Atlantics, Where the Light Falls and more.
In a year where wealth, inequality and class rage were hot movie topics, few had more to say than Parasite and Knives Out — two filmsthat seemed to be in conversation with each other.