Self/less is a dull rumination on familiar themes about body-swapping and life-swapping, exploring none of the actually provocative questions it raises.
Sean Baker's bleak, boisterous farce follows two transgender sex workers on Christmas Eve in Los Angeles. David Edelstein says Tangerine is "brilliantly shaped, edited, scored and performed."
NPR's Kelly McEvers speaks with documentary filmmaker Pamela Yates about Guatemalan ex-dictator Efrain Rios Montt, who was declared mentally unfit for trial Tuesday by Guatemala's forensic authority.
Film critic David Edelstein calls Terminator Genesys "strenuously witless" and "lousy." But, he adds, the loose and fun Magic Mike XXL is "anything but a typical machine-tooled sequel."
In the dawning of the digital age, "She was the unlucky one to be having a nervous breakdown in public at the time," Amy director Asif Kapadia tells Fresh Air's Terry Gross.
In Do I Sound Gay?, director David Thorpe searches for the origin of the so-called "gay voice" and documents his own attempts (with speech pathologist Susan Sankin) to sound "less gay."
Two new works of art — the documentary film Cartel Land and the novel The Cartel — shine a light on the seemingly endless drug war in Mexico. John Powers says both works are bleak, but gripping.
Contributors Glen Weldon and Chris Klimek break down the latest in the many-tentacled franchise that continues to employ its indispensable central action hero.